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Contributors
Editor’s Letter
ANTENNAE
What’s in the air this month
Double Décor
To Have and to Fold
The Wizards of Oz • Modernising Melbourne’s massive Ian Potter State Theatre, with its ruby slipper-box interiors, called for lion hearts and many skilled hands. So who are the magicians behind it all? Stephen Crafti lifts the curtain. Photography: Gavin Green
Lay of the Land
Tasty Testers • Feel like you’ve been passed from pillar – or maybe pillow – to four-poster in your quest for a bed that’s at once stately and cocooning? Well, sleep easy because Ruth Sleightholme has tried the most inviting examples for splendour as well as size. Photography: Christopher Horwood
Stars in Our Eyes • Whether shaped by Taoist priests, Renaissance astronomers or Cold War cosmonauts, our representations of the universe are often determined by mythological beliefs and earthly ambitions. As a new exhibition on celestial cartography opens in London, we asked an assortment of contemporary artists and thinkers to choose a ‘night map’ from the Sunderland Collection that they find especially resonant. It’s black-sky thinking…
Excess Fayre • The ornate trinkets and souvenirs that make the multigenerational migrant house a home are anathema to Modernism’s obsession with the minimal. Throw the design book out, says Seetal Solanki, and celebrate these gloriously more-is-more marvels for everything they are
A Deep Sense of Belongings • After 18 years and sundry intercontinental moves, Hamish Bowles and his treasured possessions finally meet again. A hoarder, you say? No, a man fulfilled
Holiday Roundup • Illustrated non-fiction, recommended by Damian Thompson
Unstable Mates
Suns Rising
Network
VISITOR'S BOOK
STAPLE-Y HOME
THE SAUCER APPRENTICES
TEXAS HELD 'EM
DOUBLES ALL ROUND
BARRIER RELIEF
NOT'S LANDING
JAGGED EDGINESS
FIELD MARSHAL
AFTERWORD
Address Book • Suppliers featured in this issue
Inspiration
MADE TO MEASURE
THE SEASON OF INDULGENCE
THE BIGGER PICTURE
TONES, TEXTURES AND TRIMMINGS
THE INTERIORS PORTFOLIO
Soft Peeks • It will never excel at whipping up meringue or mayonnaise, but Claes Oldenburg’s malleable mixer from the 1960s focused the gaze on grotesque consumerism and the deflated American dream. Argentinian artist Pablo Bronstein is anything but whisk-averse